What was Shakespeare's attitude toward Semitism? The introduction to this edition of The Merchant of Venice begins by addressing this essential issue raised by the play. It then examines the play's sources, background, and date, including a discussion of Sigmund Freud's essay on "The Three Caskets." Professor Halio interprets the play's contradictions, inconsistencies, and complementarities, particularly as they relate to its overarching theme of bondage and attachment. A survey of the play's staging history ranges from discussions of its early performance to important twentieth-century productions and performances outside England, particularly in Israel. The text, based on a new analysis of the early editions, is presented with modernized spelling and punctuation. This edition is eminently suitable for students, actors, and the general reader for its consistently clear and helpful approach. ABOUT THE SERIES: For over 100 years, Oxford World's Classics has offered the widest range of literature from around the world. Each affordable volume reflects Oxford's commitment to scholarship, combining the most accurate text with a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, and up-to-date bibliographies for further study.